Feliza Bursztyn, Untitled (Resorte), ca. 1967, Scrap metal, 12 x 10 x 4 1/2 in
[1] Gina McDaniel Tarver, “The Art of Feliza Bursztyn: Confronting Cultural Hegemony,” Artelogie (2013): 4. Online.
[2] Ibid., 5.
[3] Manuela Ochoa Ronderos, “The Uninhabited Stages: Stepping into Feliza Bursztyn’s House,” Master’s Thesis (San Francisco Art Institute, 2013), 18.
[4] Gina McDaniel Tarver, “Intrepid Iconoclasts and Ambitious Institutions: Early Colombian Conceptual Art and Its Antecedents, 1961–1975,” PhD. Diss. (University of Texas, Austin, 2008), 60.
[5] Ibid., 60–61.
[6] Ibid., 62–64.
[7] Ibid., 82.
[8] Ibid., 58
[9] Ibid., 56; 105–06
[10] Tarver, “The Art of Feliza Bursztyn: Confronting Cultural Hegemony,” 11.
[11] For information on Bursztyn’s interrogation and subsequent flight, see Colin Harding, “Colombia: New Beginning?: Gabriel Garcia Márques and others face brutal government repression,” Index on Censorship 11, no. 4 (1982): 29.