Carmelo Arden Quin

In the productive artistic context of Buenos Aires in the mid-1940s, Carmelo Arden Quin was at the forefront of a generation of artists who sought to push the boundaries of geometric abstraction. The exhibition, Carmelo Arden Quin: Invention, and its accompanying catalogue, together commemorate the work of an artist who ceaselessly experimented with new forms and ideas over the course of a career spanning nearly seven decades. The publication features an essay on Arden Quin’s life and work by María Cristina Rossi (Universidad Nacional de Tres de Febrero + Universidad de Buenos Aires), full color illustrations, archival photographs, and extensive exhibition history.